Helmed by Portishead co-founder the musician-producer, this sharp-edged though undernourished debut feature turns a sceptical eye on the ecstasy-fueled club scene. Self-serving drug user David (the actor) initially steals from an passed-out supplier, then in another flashback tries to break into his own family home. Before you can say, he's overturned in the remains of his car in a forest – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Refusing to extricate David, with no time for townies, he is broken Britain embodied: “You’re one of those loud individuals from up on the heath.”
Unsteady Opening and Grimly Amusing Confrontation
The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to extricate himself from his seatbelt, while clumsily segueing into flashbacks of his normal activities. The bigger point – that the ecstasy generation were mainly focused on number one – is clearly conveyed. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Poacher turns up, enraged after David kills his dog. Still, a darkly funny standoff takes hold – David desperate to escape; the Poacher withholding his jerrycan of scrumpy, intent on dousing him instead in resentful talk. Williamson, exuding ponderous menace in the role, is reminiscent of Michael Smiley.
Visual Flair and Music Video Vibe
Just a single important plot development, but it leads to a comically executed rampage on the forest trails that veers toward folk horror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing impressionistic closeups of insects in the light in the opening part, he now lets rip with the full lysergic 21-gun salute, accompanied by a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the UK video industry.
The film is in UK and Irish theaters from 17 November.
